Imagem da capa para Barbara Hepworth
Barbara Hepworth
INITIAL_TITLE_SRCH:
Barbara Hepworth
AUTHOR:
Curtis, Penelope
ISBN:
9781849760423
PUBLICATION_INFO:
Millbank, London : Tate Publishing, 2013
PHYSICAL_DESC:
96 p. : ill. (some col.), ports. ; 26 cm
SERIES:
British artists
SERIES_TITLE:
British artists
GENERAL_NOTE:
Includes bibliographical references and index

Originally published: London : Tate Publishing, 1998.
ABSTRACT:
ART STYLES: C FIRST WORLD WAR TO 1960. Barbara Hepworth began her career as a sculptor in London in the late 1920s, and quickly established herself in the vanguard of the modern movement. Caught in St Ives by the outbreak of the war, she went on to spend thirty-six years - exactly half her life - in the town. Hepworth came to value the sense of community she found in St Ives, but it was this very rootedness that allowed her to develop sculpture for the national and international stage. Hepworth remains a central figure in British twentieth-century art, and this book describes her life and work, giving an up-to-date survey of the contexts in which she can currently be understood. Penelope Curtis describes the impetus behind the formal clarity of her sculpture, an attempt at 'holding the beautiful thought' amidst the difficult times in which she lived.
SUBJECT:
Hepworth, Barbara, 1903-1975
Women sculptors -- England -- Biography
Women sculptors -- England -- Criticism and interpretation
Sculptors -- England -- Biography
Sculptors -- England -- Criticism and interpretation
BIBSUMMARY:
ART STYLES: C FIRST WORLD WAR TO 1960. Barbara Hepworth began her career as a sculptor in London in the late 1920s, and quickly established herself in the vanguard of the modern movement. Caught in St Ives by the outbreak of the war, she went on to spend thirty-six years - exactly half her life - in the town. Hepworth came to value the sense of community she found in St Ives, but it was this very rootedness that allowed her to develop sculpture for the national and international stage. Hepworth remains a central figure in British twentieth-century art, and this book describes her life and work, giving an up-to-date survey of the contexts in which she can currently be understood. Penelope Curtis describes the impetus behind the formal clarity of her sculpture, an attempt at 'holding the beautiful thought' amidst the difficult times in which she lived.