Yoshitomo Nara + YNG : crated rooms in Iceland.
題名:
Yoshitomo Nara + YNG : crated rooms in Iceland.
著者:
Nara, Yoshitomo, 1959-
奈良美智, 1959-
YNG (Yoshitomo Nara + graf).
Yoshitomo Nara + YNG : crated rooms in Iceland (2009-2010 : Reykjavík, Iceland)
ISBN（國際標準書號）:
9789935420183
統一題名:
Works. Selections
版本:
First edition.
出版資訊:
Reykjavík, Iceland : Crymogea, c2014.
規格:
24 unnumbered p. : ill. (chiefly col.) ; 21 x 23 cm
一般附註:
Catalog of the exhibition "Yoshitomo Nara + YNG, The crated rooms in Iceland" held at Reykjavík Art Museum, Harbour House, September 17, 2009-January 3, 2010.
Includes text supplement (15 pages ; 20 x 22 cm) with an introduction by Hafþór Yngvason and essays by Markús Þór Andrésson, Jón Proppé, Úlfhildur Dagsdóttir, and Guðmundur Oddur Magnússon, Goddur.
摘要:
Easily one of the most important Japanese artists of the recent past, Yoshitomo Nara (born 1959) has rocketed to worldwide fame for his darkly whimsical figures that put a creepy twist on childhood ingenuousness. For his 2009 exhibition at the Reykjavik Art Museum, Nara presented his works within the wooden shipping crates in which they had been transported to the museum. Pictures were hung on the outside of the crates, and figures lurked within their interior nooks. This new monograph records and continues the show's themes of containment and transportation; modeled after a children's book, it features windows that can be opened to reveal the youthful figures ensconced within their confinements, waiting to be freed by the participation of the reader.
附加團體著者:
已添加题名:
Yoshitomo Nara + YNG, the crated rooms in Iceland.
主題:
| Installations (Art) -- Iceland -- Reykjavík -- Exhibitions. |
| Nara, Yoshitomo, 1959- -- Exhibitions. |
| Kjarvalsstaðir (Reykjavík, Iceland) -- Exhibitions. |
摘要:
Easily one of the most important Japanese artists of the recent past, Yoshitomo Nara (born 1959) has rocketed to worldwide fame for his darkly whimsical figures that put a creepy twist on childhood ingenuousness. For his 2009 exhibition at the Reykjavik Art Museum, Nara presented his works within the wooden shipping crates in which they had been transported to the museum. Pictures were hung on the outside of the crates, and figures lurked within their interior nooks. This new monograph records and continues the show's themes of containment and transportation; modeled after a children's book, it features windows that can be opened to reveal the youthful figures ensconced within their confinements, waiting to be freed by the participation of the reader.