Fred Herzog : photographs 的封面图片
Fred Herzog : photographs
題名:
Fred Herzog : photographs
著者:
Herzog, Fred, 1930-

Waddell, Stephen, 1968-

Hoffmann, Felix, 1972-
ISBN(國際標準書號):
9783775728119
出版資訊:
Ostfildern : Hatje Cantz, c2011
規格:
191 p. : ill. (some col.) ; 22 cm
摘要:
"After immigrating to Canada in the fifties, Fred Herzog (b.1930 in Bad Friedrichshall, Germany) devoted himself to what at the time was an unusual medium: color photography. In doing so, he breached entrenched visual habits and doctrines, which primarily assigned the status of art to black-and-white photography. As a pioneer in the field of color photography, Herzog perfected his eye for the supposedly insignificant. His motifs are the streets of Vancouver, supermarkets, gas stations, bars, urban scenes, landscapes, and, again and again, the people in his environment - the heights and depths of the North American dream. He tested the potential of color photography as a medium for great objectivity and great artistry alike, and his critical gaze shows us the trivial, the ephemeral, and the apparently meaningless. Above all, however, color lends his photographs a unique atmosphere and force, and is ultimately what lends them such authenticity."
主題:
Herzog, Fred, 1930- -- Exhibitions
Photography, Artistic -- Exhibitions
摘要:
"After immigrating to Canada in the fifties, Fred Herzog (b.1930 in Bad Friedrichshall, Germany) devoted himself to what at the time was an unusual medium: color photography. In doing so, he breached entrenched visual habits and doctrines, which primarily assigned the status of art to black-and-white photography. As a pioneer in the field of color photography, Herzog perfected his eye for the supposedly insignificant. His motifs are the streets of Vancouver, supermarkets, gas stations, bars, urban scenes, landscapes, and, again and again, the people in his environment - the heights and depths of the North American dream. He tested the potential of color photography as a medium for great objectivity and great artistry alike, and his critical gaze shows us the trivial, the ephemeral, and the apparently meaningless. Above all, however, color lends his photographs a unique atmosphere and force, and is ultimately what lends them such authenticity."