The springtime of the Renaissance : sculpture and the arts in Florence 1400-60
題名:
The springtime of the Renaissance : sculpture and the arts in Florence 1400-60
著者:
Paolozzi Strozzi, Beatrice
Bormand, Marc
Musee du Louvre
ISBN（國際標準書號）:
9788874611867
出版資訊:
Firenze : Mandragora, c2013
規格:
548 p. : ill. (chiefly col.) ; 30 cm
一般附註:
Includes bibliographical references (p. 511-545).
Catalog of an exhibition held at the Palazzo Strozzi, Florence, Mar. 23-Aug. 18, 2013 and the Musee du Louvre, Paris, Sept. 26, 2013-Jan. 6, 2014.
摘要:
The exhibition is divided into different parts, the first (Section I: The Legacy of the Fathers) exploring the rediscovery of ancient art in the 13th and 14th centuries by the likes of Nicola Pisano, Arnolfo and their successors. It then looks into the assimilation of Gothic style of French origin, including Brunelleschi's renowned sculpture, which is the starting point for the Early Renaissance. The exhibition follows development and influences from monumental sculptures by the likes of Donatello, Ghiberti, Nanni di Banco and Michelozzo, painting by artists such as Masaccio, Paolo Uccello, Andrea del Castagno and Filippo Lippi, and the impact on the political and spiritual mood of the city. Other elements include the development of perspective in bas-relief work, a taste for 'new beauty' and new commissions in places of worship, and the transition to the private patronage of the powerful Medici family. Exhibition: Palazzo Strozzi, Florence, Italy (3.-8.2013) / Museê du Louvre, Paris, France (9.2013-1.2014) -- Source other than Library of Congress.
附加團體著者:
主題:
| Palazzo Strozzi (Florence, Italy) |
| Sculpture, Renaissance -- Italy -- Florence -- Exhibitions |
| Sculpture, Italian -- Italy -- Florence -- Exhibitions |
| Art, Renaissance -- Italy -- Florence -- Exhibitions |
| Art, Italian -- Italy -- Florence -- Exhibitions |
摘要:
The exhibition is divided into different parts, the first (Section I: The Legacy of the Fathers) exploring the rediscovery of ancient art in the 13th and 14th centuries by the likes of Nicola Pisano, Arnolfo and their successors. It then looks into the assimilation of Gothic style of French origin, including Brunelleschi's renowned sculpture, which is the starting point for the Early Renaissance. The exhibition follows development and influences from monumental sculptures by the likes of Donatello, Ghiberti, Nanni di Banco and Michelozzo, painting by artists such as Masaccio, Paolo Uccello, Andrea del Castagno and Filippo Lippi, and the impact on the political and spiritual mood of the city. Other elements include the development of perspective in bas-relief work, a taste for 'new beauty' and new commissions in places of worship, and the transition to the private patronage of the powerful Medici family. Exhibition: Palazzo Strozzi, Florence, Italy (3.-8.2013) / Museê du Louvre, Paris, France (9.2013-1.2014) -- Source other than Library of Congress.