Renoir in the 20th century 的封面图片
Renoir in the 20th century
题名:
Renoir in the 20th century
著者:
Renoir, Auguste, 1841-1919.

Benjamin, Roger, 1957-

Einecke, Claudia

Patry, Sylvie

Galeries nationales du Grand Palais (France)

Los Angeles County Museum of Art

Philadelphia Museum of Art
ISBN:
9783775725392
出版信息:
Ostfildern : Hatje Cantz, c2010
规格:
439 p. : ill. (some col.) ; 31 cm
一般附注:
Includes bibliographical references (p. 422-430) and indexes.

Published in conjunction with the exhibition "Renoir au XXe siecle" held at Galeries Nationales (Grand Palais, Champs-Elysees), Paris, Sept. 23, 2009-Jan. 4, 2010; "Renoir in the 20th century" held at the Los Angeles County Museum of Art, Los Angeles, Calif., Feb. 14-May 9, 2010; and "Late Renoir" held at the Philadelphia Museum of Art, Philadelphia, Pa., June 17-Sept. 6, 2010.
摘要:
This volume is a biography of Pierre-Auguste Renoir (1841-1919). Renoir was a French artist who was a leading painter in the development of the Impressionist style. This work dedicates itself to the final three decades of Renoir's career in which the painter turned away from Impressionism and toward a more decorative approach informed by his own idiosyncratic interpretation of art history. During this period, Renoir was initially looking at painters such as Rubens, Titian and Raphael, and dedicating himself to cheery subjects such as bathers, domestic idylls and landscapes that were influenced by both classical mythology and by his relocation to the South of France.
主题:
Renoir, Auguste, 1841-1919 -- Exhibitions
Renoir, Auguste, 1841-1919 -- Criticism and interpretation
Renoir, Auguste, 1841-1919 -- Influence
Renoir, Auguste, 1841-1919
Art, Modern -- 20th century -- Exhibitions
Art -- 20th century -- Exhibitions
摘要:
This volume is a biography of Pierre-Auguste Renoir (1841-1919). Renoir was a French artist who was a leading painter in the development of the Impressionist style. This work dedicates itself to the final three decades of Renoir's career in which the painter turned away from Impressionism and toward a more decorative approach informed by his own idiosyncratic interpretation of art history. During this period, Renoir was initially looking at painters such as Rubens, Titian and Raphael, and dedicating himself to cheery subjects such as bathers, domestic idylls and landscapes that were influenced by both classical mythology and by his relocation to the South of France.