Cover image for Degas and the nude
Degas and the nude
Title:
Degas and the nude
Author:
Shackelford, George T. M., 1955-

Rey, Xavier

Freud, Lucian

Gayford, Martin, 1952-

Roquebert, Anne
ISBN:
9780878467730
Edition:
1st ed.
Publication Information:
Boston : Museum of Fine Arts Boston, c2011
Physical Description:
xxi, 241 p. : ill. (chiefly col.) ; 29 cm
General Note:
Includes bibliographical references (p. 238-239)

Catalog of an exhibition held at Museum of fine Arts, Boston, Oct. 9, 2011-Feb. 5, 2012 ; and Musê d'Orsay, Paris, March 12-July 1, 2012.
Abstract:
"Degas and the Nude" is the first book in a generation to explore the artist's treatment of the nude from his early years in the 1850s and 1860s, through his triumphs in the 1880s and 1890s, all the way to his last decades when the theme dominated his artistic production in all media. With essays by leading American and French critics, it provides a new interpretation of Degas' evolving conception of the nude, situating it in the subject's broader context among his peers in nineteenth-century France. It explores how Degas exploited all of the body's expressive possibilities, how his vision of the nude informed his notion of modernity, and how he abandoned the classical or historical form in favor of a figure seen in her own time and setting--whether engaged in overtly carnal acts or just stepping out of an ordinary bath.
Subject:
Degas, Edgar, 1834-1917 -- Exhibitions
Nude in art -- Exhibitions
Summary:
"Degas and the Nude" is the first book in a generation to explore the artist's treatment of the nude from his early years in the 1850s and 1860s, through his triumphs in the 1880s and 1890s, all the way to his last decades when the theme dominated his artistic production in all media. With essays by leading American and French critics, it provides a new interpretation of Degas' evolving conception of the nude, situating it in the subject's broader context among his peers in nineteenth-century France. It explores how Degas exploited all of the body's expressive possibilities, how his vision of the nude informed his notion of modernity, and how he abandoned the classical or historical form in favor of a figure seen in her own time and setting--whether engaged in overtly carnal acts or just stepping out of an ordinary bath.